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©2009-2010 ~sandpaperdaisy
Artist's Comments
"It was only when I felt him envelop me in his cold soft grasp that I cried out and struggled with deadly fury, but my hands were useless and he tore the onyx clasp from my coat and struck me full in the face. Then, as I fell, I heard Tessie’s soft cry and her spirit fled: and even while falling I longed to follow her, for I knew that the King in Yellow had opened his tattered mantle and there was only God to cry to now."
Robert W. Chambers, The Yellow Sign |
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March 28, 2009
3.4 MB 136 KB 800×1030 StatisticsShare |
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Comments
the colors are amazing
i love the breakingness too! it's done very well i must say
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I can read your server
...
YOU LIKE MEN WITH FLUFFY PINK BUNNY UNDIES!!??O_o
selling cheap commissions
[link]
you join #awsomebox, yes?
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sandpaperdaisy.com. Where it all happens.
--
I can read your server
...
YOU LIKE MEN WITH FLUFFY PINK BUNNY UNDIES!!??O_o
selling cheap commissions
[link]
you join #awsomebox, yes?
As I cast my eye around this piece I find that every inch is like a minefield of a million imagined horrors that pounce out of the page, launched by the incredible inference of the forms and colors you've conceived. Honestly I've been staring at it for half an hour here whilst trying to compose some comment that makes any kind of sense of how great this is.
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"Any sufficiently advanced vocabulary is indistinguishable from piffle"
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sandpaperdaisy.com. Where it all happens.
Anyway, you're very very welcome! We all have many "favs" I guess but this really is a favorite. Beautiful and horrifying and it just draws me in - I can stare at it and explore it and be fascinated by it, repulsed by it, mortified by it... yeesh. It makes me want to write poetry
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"Any sufficiently advanced vocabulary is indistinguishable from piffle"
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sandpaperdaisy.com. Where it all happens.
I've been thinking about this image and the Cassilda image again lately. The roleplayers at Yog-Sothoth.com are shortly to launch into their Hastur-mythos-themed audiogame podcast series "Tatters of the King" and I've been producing some music to accompany that.
The Hastur atmosphere seems to be right at the most wistful, brooding, romantic, surreal and dreamy end of Cosmic Horror. Lovecraft sometimes described things mainly in terms of how impossible it would be to describe them. When I get to thinking about the strange is-it-or-isn't-it nature of Carcosa on the shores of the misty lake, I think I really do understand what that sort of anti-description can imply.
Anyhow - hope you had a great summer.
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"Any sufficiently advanced vocabulary is indistinguishable from piffle"
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